Sans Superellipse Sula 3 is a very bold, very narrow, medium contrast, italic, normal x-height font visually similar to '403 Rodman' by 403TF, 'Frileder' by Gatype, 'Recumba' by Pixesia Studio, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, promotional ads, sporty, urgent, loud, compressed, dynamic, space saving, high impact, speed cue, modern display, branding, forward-leaning, tall, condensed, angular, streamlined.
A tightly condensed, forward-slanted sans with tall proportions and compact counters. Strokes are thick and assertive, with subtle contrast and rounded-rectangle shaping in bowls and ovals that keeps curves smooth rather than circular. Terminals are mostly sheared and clean, reinforcing the italic momentum, while inner spaces are narrow and vertically oriented. Overall rhythm is dense and continuous, favoring stacked, poster-like setting over airy text spacing.
Best suited to short, high-impact settings such as sports identities, event posters, promo headlines, and packaging where a compact but forceful voice is needed. It can work well in tight horizontal spaces for banners and labels, while longer text will benefit from generous tracking and leading to reduce density.
The font projects speed and impact, with a distinctly athletic, headline-driven energy. Its compressed stance and sharp slant feel urgent and competitive, reading like typography made to move—strong, punchy, and attention-grabbing rather than calm or literary.
The design appears intended to deliver maximum impact in minimal width, combining a strong italic thrust with streamlined, rounded-rectangular curves for a modern, engineered feel. It prioritizes bold presence, quick recognition, and a cohesive slanted texture for display typography.
Uppercase forms keep a uniform, towering silhouette, while the lowercase shows simplified, sturdy shapes that preserve legibility despite tight apertures. Numerals match the same condensed, forward-driving logic, sitting firmly in the line and maintaining consistent weight and slant across the set.