Sans Superellipse Edmaw 6 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: ui labels, app branding, tech packaging, sports graphics, wayfinding, techy, sleek, friendly, futuristic, sporty, modern branding, ui clarity, digital tone, soft geometry, motion emphasis, rounded, monolinear, superelliptical, soft-cornered, wide apertures.
A rounded, monolinear sans with a consistent oblique (italic) slant and superellipse-driven construction. Many forms are built from rounded-rectangle geometry, giving bowls and counters a squarish-yet-soft profile; curves transition into straights with smooth, generous corner radii. Strokes are even and clean, terminals are mostly blunt and rounded, and apertures stay fairly open for clarity. Proportions lean modern and slightly condensed in some letters, while the rhythm remains steady across the uppercase, lowercase, and numerals; figures follow the same softened-square logic for a cohesive texture.
This font suits interface labels, dashboards, and product UI where a clean, modern italic can signal action or emphasis while remaining legible. Its rounded-square forms also work well in tech branding, packaging, and automotive or sports-adjacent graphics. For display and short text, it gives headings a sleek, contemporary cadence; for longer passages it’s best used at comfortable sizes where the oblique slant remains easy to track.
The overall tone feels contemporary and streamlined, with a distinctly digital, UI-forward personality. Rounded corners soften the italic motion, keeping the voice approachable rather than aggressive. It suggests speed and modernity without looking sharp or austere, landing in a friendly, futuristic space.
The design appears intended to merge geometric, superelliptical construction with a soft, friendly finish, delivering a modern italic that reads as fast and contemporary. It prioritizes cohesive, system-like shapes across letters and numerals for consistent branding and screen-forward typography.
The design language is especially evident in squared-off bowls (e.g., in rounded counters and the zero) and in the way horizontals and verticals meet via smooth cornering. The lowercase shows a practical, readable construction with a simple single-storey feel where applicable, while the oblique angle adds motion suitable for emphasis and branding.