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Free for Commercial Use

Stencil Elmo 7 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Allrounder Grotesk Compressed' by Identity Letters, 'Helvetica Now' by Monotype, 'NeoGram' by The Northern Block, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, wayfinding, industrial, utilitarian, military, tactical, signage, stencil effect, industrial signage, rugged display, high-contrast, blocky, rounded corners, incised breaks, compact.


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A heavy, block-constructed sans with crisp stencil interruptions that cut through bowls and stems with consistent, straight bridges. Strokes are largely monoline and end in squared terminals, while outer corners show subtle rounding that keeps the shapes from feeling overly sharp. Counters are compact and often partially segmented (notably in rounded letters and numerals), producing strong black coverage and a rugged rhythm. The lowercase is sturdy and simplified, with single-storey forms and minimal modulation, optimized for bold display clarity rather than delicate detail.

Best suited for posters, bold headlines, brand marks, and packaging where a rugged stencil look is desired. It also fits wayfinding, labels, and prop-style graphics that benefit from an industrial or military signage feel, especially at medium to large sizes where the stencil bridges remain clearly visible.

The overall tone is industrial and no-nonsense, evoking painted stencils on crates, equipment, and infrastructure. Its broken forms feel purposeful and mechanical, giving the face a tactical, utilitarian personality that reads as assertive and practical.

The design appears intended to deliver a strong stencil aesthetic with dependable legibility and consistent construction. By combining dense black shapes with systematic breaks, it aims to suggest sprayed or cut-letter lettering while staying clean and repeatable for modern graphic use.

The stencil cuts are placed to preserve recognizability while creating a distinctive pattern of vertical and horizontal interruptions across the set. Rounded letters and figures (like O/0 and 8/9) emphasize the stencil effect through central breaks, and wide diagonals in V/W/X/Y add a dynamic, rugged texture in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸