Sans Faceted Anpo 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'MC Qiluant' by Maulana Creative (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, book covers, playful, hand-cut, posterish, quirky, retro, display impact, handmade feel, geometric texture, quirky branding, faceted, angular, choppy, irregular, blocky.
This typeface uses chunky, geometric letterforms built from short, straight segments that create a faceted, cut-paper look. Curves are largely replaced by angled planes, producing choppy outer contours and polygonal counters (notably in round letters and numerals). Strokes maintain a consistent thickness with squared terminals, while the overall drawing shows intentional irregularity in corner angles and curvature approximation, giving the set a lively, handmade rhythm. Proportions are compact and sturdy, with broad bowls, simplified joins, and slightly uneven internal spaces that enhance the constructed feel in both uppercase and lowercase.
It performs best in display settings where its angular texture can be appreciated—headlines, posters, packaging, and branding marks that want a crafted or playful edge. It can also work for short bursts of copy (pull quotes, labels, menus) when you want a distinctive voice and strong silhouette.
The faceted construction and deliberately roughened geometry give the font a playful, crafty tone—like letters carved, taped, or cut from card. It reads as energetic and informal, with a retro display sensibility that feels more expressive than neutral. The overall impression is bold and friendly, suited to attention-grabbing messages rather than quiet body text.
The design appears intended to translate sans-serif basics into a stylized, faceted construction that mimics hand-cut or low-poly geometry while retaining clear, sturdy letterforms. The goal seems to be a high-impact display face with a consistent polygonal texture across letters and numbers, balancing legibility with a quirky, made-by-hand personality.
Uppercase forms stay relatively stable and blocklike, while lowercase introduces more idiosyncratic shapes and counters, increasing the handmade character in running text. Numerals echo the same polygonal logic, with round digits rendered as multi-sided forms that keep the texture consistent across mixed content.