Print Dakif 5 is a regular weight, very narrow, medium contrast, reverse italic, short x-height font.
Keywords: posters, packaging, children’s, headlines, social, playful, quirky, casual, friendly, handmade, handmade feel, casual tone, expressive display, youthful appeal, informal branding, monoline-ish, tapered, bouncy, organic, irregular.
This font presents as a hand-drawn print style with lively irregularity and a slightly leaning, back-slanted posture. Strokes feel marker- or brush-like, with subtle tapering and modest contrast that varies from letter to letter, reinforcing an informal, handmade rhythm. Letterforms are generally narrow with tall ascenders and compact lowercase, and spacing/sidebearings fluctuate, producing a bouncy texture rather than a rigid typographic grid. Counters are simplified and often asymmetrical, and terminals are rounded or softly blunted, giving the set a cohesive doodled look across letters and figures.
Best suited to short-to-medium display copy such as posters, packaging callouts, book covers, event promos, and social graphics where a friendly handmade voice is desired. It can also work for children’s materials and casual branding accents, especially when set with generous tracking and ample line spacing.
Overall, it reads personable and spontaneous—more like quick handwritten signage than polished display lettering. The uneven widths and gentle wobble add charm and humor, creating an approachable tone that feels youthful and lighthearted.
The design appears intended to capture the immediacy of hand-lettered print—casual, slightly imperfect, and energetic—while remaining legible enough for expressive headings and informal text snippets. Its narrow, back-slanted stance and variable stroke finishing suggest a deliberate move away from typographic uniformity toward character and warmth.
Uppercase and lowercase differ in construction in a way that emphasizes the hand-rendered origin, and the numerals echo the same casual stroke behavior and slightly quirky proportions. At smaller sizes the irregular spacing and narrow forms can make the texture busy, while at larger sizes the expressive stroke variation becomes a feature.