Sans Faceted Etgo 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'EB Corp' by Eko Bimantara, 'Nusara' by Locomotype, 'Azbuka' by Monotype, and 'Syke' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, gaming ui, sporty, techy, futuristic, assertive, dynamic, convey speed, look engineered, maximize impact, add edge, angular, faceted, slanted, compact, geometric.
A heavy, slanted sans with crisp, planar facets that replace most curves with angled cuts and chamfered corners. Strokes are thick and fairly uniform, with squared terminals and frequent diagonal shears that give bowls and joins a carved, aerodynamic look. Proportions feel compact with tight apertures, a firm baseline, and a forward-leaning rhythm; counters are mostly squarish/ovalized rather than round. The overall texture is dense and punchy, staying consistent across uppercase, lowercase, and numerals.
Well-suited to sports and motorsport identities, team merch, energetic headlines, and poster typography where a fast, aggressive voice is desired. It can also work for tech/gaming interfaces and packaging that benefits from a machined, faceted aesthetic, especially in short bursts of text.
The faceted geometry and consistent forward slant create a sense of speed and mechanical precision. Its tone reads modern and performance-oriented—more “equipment and engines” than editorial—projecting urgency, strength, and momentum.
The design appears intended to deliver a bold, high-impact sans with a speed-driven italic stance and a distinctive faceted construction. By turning curves into sharp planes and keeping stroke contrast minimal, it aims for strong legibility at large sizes while signaling modern, performance-focused branding.
Numerals and capitals maintain the same chiseled language, with angled shoulders and clipped curves that keep forms feeling engineered rather than handwritten. The italic angle is prominent enough to carry emphasis on its own, and the tight inner spaces suggest best use at display sizes where the facets remain clearly visible.