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Sans Superellipse Fomam 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Dignus' by Eurotypo, 'Foda Sans' by Fo Da, 'Panton' by Fontfabric, 'Neusa Neu' by Inhouse Type, 'Anantason Reno' by Jipatype, 'SK Reykjavik' by Salih Kizilkaya, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: sports branding, team identity, headlines, posters, product branding, sporty, techy, assertive, dynamic, modern, speed emphasis, brand impact, modern utility, geometric cohesion, oblique, rounded, squared, compact, geometric.


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A compact, oblique sans with heavy, even strokes and rounded-rectangle construction throughout. Curves resolve into superelliptic corners rather than true circles, giving bowls and counters a squared, aerodynamic feel. Terminals are clean and mostly horizontal or subtly angled, and the overall rhythm is tight with sturdy joins and minimal modulation. Numerals and capitals read strongly at distance, while lowercase forms keep a single‑storey, utilitarian structure with short ascenders/descenders and broad counters.

Best suited to short, high-impact settings such as sports identities, event graphics, packaging, and bold UI or product branding where a dynamic slant helps communicate motion. It can work for subheads and callouts, but the compact rhythm and strong presence make it most effective when set large or with generous tracking.

The tone is fast, tough, and contemporary—more performance-oriented than neutral. Its rounded-squared geometry and consistent slant evoke motorsport, athletic branding, and tech hardware aesthetics, projecting confidence and momentum.

The design appears intended to blend a utilitarian grotesque skeleton with rounded-square geometry and a consistent oblique slant, delivering a sturdy, high-energy voice. It prioritizes immediate legibility and brand impact while maintaining a cohesive, engineered look across letters and figures.

Distinctive superellipse shaping is especially noticeable in rounded letters and in the ‘0’, which reads as a rounded rectangle rather than an oval. The oblique angle is consistent across cases, and the dense sidebearings create a punchy, logo-like texture in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸