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Free for Commercial Use

Distressed Efbak 8 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Ephemera Nickson Pro One' by Ephemera Fonts, 'Gotham' by Hoefler & Co., 'Patimura Condensed' by Jolicia Type, 'JAF Bernini Sans' by Just Another Foundry, 'Noison' by Lone Army, 'Fact' by ParaType, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, packaging, headlines, signage, branding, vintage, western, hand-printed, rugged, playful, aged print, poster impact, rustic character, tactile texture, slab serif, rounded corners, ink traps, weathered, textured.


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A compact, heavy slab-serif design with short extenders and blocky proportions. The strokes show subtle weight shifts and soft, rounded corners, while the counters and edges carry speckled wear and small bite-like nicks that mimic rough printing. Serifs are sturdy and bracketed, and many terminals flare slightly, creating a lively, stamped rhythm. Numerals and caps keep a strong rectangular footprint, while lowercase forms remain sturdy and legible with modest apertures.

Well-suited for headlines and display settings where the textured character can be appreciated—posters, signage, labels, and packaging. It can also work for short subheads or pull quotes when a vintage, printed look is desired, but the internal distressing may reduce clarity at very small sizes or in dense text blocks.

The overall tone feels like worn letterpress—confident, tactile, and a bit mischievous. Its bold silhouettes and distressed texture suggest nostalgia and hand-made authenticity, with a frontier-poster energy that reads as friendly rather than harsh.

The design appears intended to deliver a bold, compact display voice that blends sturdy slab-serif structure with an intentionally worn, inked texture. It aims to evoke traditional print ephemera—posters, stamps, and old signage—while staying readable and rhythmically consistent.

Texture appears embedded within the black shapes (speckling and interior pitting), so the face will visually darken in longer passages and at small sizes. The irregularities are consistent across glyphs, helping the set feel intentionally aged rather than randomly damaged.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸