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Free for Commercial Use

Sans Normal Ilnub 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Nevaeh' by Kufic Studio, 'Proper Tavern' by Larin Type Co, and 'Donuto' by Roman Melikhov (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, kids media, friendly, playful, bubbly, retro, approachable, approachability, display impact, playfulness, brand character, rounded, soft terminals, chunky, compact counters, even color.


Free for commercial use
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A heavy, rounded sans with generously curved outlines and soft, blunted terminals throughout. Strokes are thick and uniform, creating a dense, even typographic color, while counters stay relatively compact, especially in letters like a, e, and s. Curves dominate the construction, with minimal sharp corners and a consistent, pillow-like rounding at joins and endpoints. The lowercase shows simple, sturdy forms with single-storey a and g, a round i/j dot, and short, stable ascenders and descenders that reinforce a compact, friendly rhythm. Numerals follow the same soft geometry, with bold, highly rounded silhouettes that read clearly at display sizes.

Best suited to short-to-medium display typography such as headlines, posters, packaging, and brand marks where its rounded heft can carry personality. It also works well for playful editorial callouts, social graphics, and kid- or family-oriented messaging that benefits from a friendly, non-threatening tone.

The overall tone is warm, cheerful, and informal, leaning toward a playful, retro-inspired friendliness. Its rounded massing and soft corners feel inviting and optimistic, with a slightly toy-like, poster-ready presence rather than a technical or corporate voice.

The design appears intended to deliver maximum friendliness and impact through thick strokes and consistently rounded geometry, prioritizing approachable character and bold legibility in display contexts. The simplified lowercase forms and soft terminals suggest a focus on easy, upbeat communication over strict neutrality.

In text settings the bold weight and tight internal spaces can make small sizes feel crowded, but the strong silhouettes and consistent rounding produce high impact and easy recognition for headlines. The design maintains a cohesive roundness across uppercase, lowercase, and figures, giving layouts a unified, chunky texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸