Sans Superellipse Dumas 5 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Realtime', 'Realtime Rounded', 'Realtime Stencil', 'Realtime Stencil Rounded', 'Realtime Text', and 'Realtime Text Rounded' by Juri Zaech (names referenced only for comparison).
Keywords: ui labels, code samples, tables, data readouts, technical docs, technical, clean, utilitarian, modern, friendly, clarity, screen use, system-like, data alignment, neutrality, rounded corners, boxy rounds, open counters, tall ascenders, large numerals.
A compact, monoline sans built on rounded-rectangle geometry, with corners consistently softened and curves tending toward superelliptical shapes rather than perfect circles. Strokes stay even throughout, with generous inner counters and clear openings that keep forms legible at small sizes. Uppercase and lowercase share a straightforward, engineered rhythm: verticals feel sturdy, curves are controlled, and terminals are cleanly cut. The overall texture is tidy and uniform, producing a steady cadence across text and tables.
Well suited to UI labeling, dashboards, and data-heavy layouts where consistent character widths and steady spacing help scanning and alignment. It also fits code snippets, terminal-style readouts, and technical documentation that benefit from crisp, uniform letterforms and clear numerals.
The tone is practical and contemporary, evoking interfaces, instruments, and technical documentation. Rounded corners add approachability while the disciplined geometry keeps it matter-of-fact and efficient. It reads as calm and functional rather than expressive or decorative.
Likely designed to provide a neutral, highly legible workhorse with a distinctive rounded-rect aesthetic—bridging the feel of screen typography and engineered signage while staying restrained in text.
Distinctive superellipse rounding is especially noticeable in bowls and numerals, giving the face a cohesive “soft-square” identity. The figures are bold and highly structured, and the punctuation and basic shapes maintain the same rounded, utilitarian logic for consistent color in continuous text.