Sans Superellipse Ogmar 6 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, signage, packaging, logos, friendly, retro, techy, playful, chunky, impact, approachability, geometric voice, signage clarity, retro-modern, rounded corners, soft terminals, squared rounds, compact apertures, sturdy.
A heavy, monoline sans with a squared, superelliptical construction: curves resolve into rounded-rectangle bowls and counters, and corners are consistently softened rather than truly circular. Strokes stay uniform and dense, producing a compact, blocky texture with tight-looking apertures and counters. Many terminals end with subtle flare-like nubs and rounded caps, giving straight stems a slightly sculpted, molded feel. The overall rhythm is steady and highly geometric, with simplified joins and minimal contrast that hold up clearly at display sizes.
Best suited for headlines and short display text where its compact, chunky shapes can deliver impact. It works well in signage and wayfinding-style applications, as well as packaging and branding that benefit from a sturdy, friendly geometric voice. The numerals are especially fitting for labels, product codes, and bold UI counters when used at larger sizes.
The tone is sturdy and approachable, pairing a retro industrial feel with a mild techno vibe. Rounded corners and softened terminals keep it friendly and playful, while the squared geometry reads modern and systematic. Overall it suggests bold signage, product labeling, and utilitarian design with character.
The design appears intended to merge geometric, rounded-rectangle construction with a softened, approachable finish. By keeping strokes uniform and corners consistently rounded, it aims for strong legibility and a distinctive silhouette that reads as both industrial and playful in display settings.
The letterforms lean on rounded-rectangle bowls (notably in forms like O/0 and D) and squared curves, which creates a distinctive “soft box” silhouette. Numerals match the same geometry and weight, reading clean and punchy in short strings. The overall feel is more display-oriented than text-oriented due to the dense color and compact internal spaces.