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Serif Flared Rydob 7 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Cronos' by Adobe, 'Formata' and 'Formata W1G' by Berthold, 'Finnegan' by Linotype, 'Niko' by Ludwig Type, 'Adagio Sans' by Machalski, 'Accia Flare' by Mint Type, and 'Plusquam Sans' by Typolis (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, book covers, assertive, playful, vintage, quirky, friendly, high impact, warmth, distinctiveness, readability, flared terminals, bracketed serifs, soft corners, lively rhythm, chunky forms.


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A heavy, compact serif with pronounced flared stroke endings and subtly bracketed serifs. Strokes stay broadly even while swelling at terminals, creating a carved, slightly calligraphic feel without noticeable slant. Counters are generous for the weight, with rounded interior shapes and softened joins that keep the texture open in text. The lowercase shows sturdy, blocky construction with a single-storey a and g and a broad, low-contrast rhythm; numerals are similarly stout and highly legible with strong silhouettes.

Well-suited to headlines, posters, and bold editorial callouts where a distinctive serif voice is needed. The sturdy shapes and clear numerals also work well for packaging, branding marks, and book or album covers that benefit from a vintage-leaning, friendly assertiveness.

The overall tone is confident and upbeat, combining old-style warmth with a slightly eccentric, handmade energy. Its chunky forms and lively terminal flare read as welcoming rather than formal, making it feel expressive and characterful while staying easy to parse.

The design appears intended to deliver maximum presence with a softer, more personable serif character, using flared terminals and rounded shaping to add motion and warmth. It aims to stand out quickly while maintaining clarity across a wide set of letters and figures.

In paragraphs, the strong weight produces a dark, punchy color, while the rounded counters and terminal flare prevent the texture from becoming rigid. The letterforms appear designed for impact at display sizes, with enough openness to remain readable in short blocks of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸