Sans Superellipse Piluh 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Grotesqa 4F' by 4th february, 'Morgan Tower' by Feliciano, 'FF Clan' by FontFont, 'Allotrope' by Kostic, 'Bigticy' by Présence Typo, and 'Bitcrusher' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, condensed, modern, assertive, urban, space saving, high impact, signage clarity, geometric consistency, brand voice, blocky, rounded, monoline, squared, compact.
This typeface is a heavy, tightly condensed sans with a monoline feel and rounded-rectangle construction throughout. Strokes terminate in soft, squarish corners, giving counters and curves a superellipse-like geometry rather than true circles. Proportions are tall and compact with short extenders and a high x-height, producing a dense, vertical rhythm. The overall texture is dark and even, with minimal modulation and clean, sturdy joins that keep letterforms readable at display sizes.
Best suited to headlines and short text where impact and space efficiency matter, such as posters, branding lockups, packaging, and wayfinding or signage. It can also work for UI labels or navigation when a strong condensed voice is needed, though its dense color suggests using it selectively rather than for long passages.
The tone is bold and utilitarian, evoking industrial signage and streamlined modern branding. Its compact width and rounded-squared shapes feel contemporary and purposeful, with an assertive, no-nonsense voice. The look also carries a slightly retro “poster” energy thanks to the compressed stance and simplified forms.
The design appears intended to deliver maximum visual weight in minimal horizontal space while maintaining a coherent geometric system based on rounded rectangles. It prioritizes strong silhouettes, consistent stroke behavior, and a tightly packed rhythm for high-impact display typography.
Round characters like O and Q appear more like softened rectangles, reinforcing a geometric system across the set. The lowercase maintains a strong, compact silhouette (notably in m/n/u/w) that emphasizes vertical stems and tight internal spacing, while numerals follow the same blocky, rounded logic for consistent set cohesion.