Sans Superellipse Porof 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Compilation Grotesk' by Estudio Calderon, 'MC Fectron' by Maulana Creative, and 'Aeternus' by Unio Creative Solutions (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, mastheads, condensed, authoritative, industrial, retro, space saving, high impact, signage tone, modern utility, monoline, compact, blocky, rounded corners, vertical stress.
A condensed sans with heavy, monoline strokes and a strongly vertical rhythm. Curves and counters are built from rounded-rectangle geometry, giving letters like C, O, and G a squarish, superelliptical feel rather than true circles. Terminals are mostly blunt and clean, with minimal modulation and tight interior spaces that stay consistent across the alphabet. Proportions are tall and compressed, producing dense word shapes and a steady, column-like texture in text.
Best suited to short, high-impact settings such as headlines, posters, mastheads, and bold packaging statements where compact width is useful. It also fits signage-style applications that benefit from a condensed, high-density texture. For long reading, the tight counters and dense rhythm suggest using larger sizes and generous spacing.
The overall tone is forceful and utilitarian, with a compact, poster-ready presence. Its narrow stance and blocky curvature suggest a practical, industrial character with a subtle vintage headline flavor. The crisp, no-nonsense construction reads as direct and commanding rather than delicate or friendly.
The design appears intended to deliver maximum visual impact in minimal horizontal space while keeping forms clean and contemporary. Its superelliptical curves and blunt terminals aim for a sturdy, engineered look that stays consistent across letters and numerals.
The condensed width amplifies verticals and makes punctuation and numerals feel sturdy and signage-like. Rounded corners soften the mass slightly, but the tight counters keep the overall impression strong and compact, especially in mixed-case lines.