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Sans Superellipse Ragaj 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Nexusbold Sans' by Ferry Ardana Putra, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Hype vol 2' and 'Hype vol 3' by Positype, and 'Agharti' by That That Creative (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, condensed, graphic, utilitarian, space saving, high impact, modern utility, display emphasis, tall, compact, sturdy, clean, punchy.


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This typeface features extremely condensed proportions with tall, compact letterforms and a tightly packed internal rhythm. Strokes are consistently heavy and largely monolinear, with rounded-rectangle (superellipse) bowls and softened corners that keep the geometry from feeling sharp. Curves are controlled and verticals dominate, while apertures and counters are relatively small, producing dense silhouettes and strong typographic color. The overall impression is clean and minimal, with straightforward construction and little to no decorative detailing.

It is well suited to display settings such as headlines, posters, branding marks, packaging, and bold signage where space is tight but impact is required. It can also work for short labels or interface headers, especially when clarity and compactness are more important than long-form reading comfort.

The tone is forceful and no-nonsense, with an industrial, poster-like presence. Its compressed width and dense weight read as urgent and attention-grabbing, giving it a pragmatic, authoritative voice rather than a delicate or playful one.

The design appears intended to deliver maximum impact in minimal horizontal space, pairing a rigid condensed skeleton with rounded-rectangular geometry for a modern, engineered look. The emphasis is on strong silhouettes and high presence for display typography.

The condensed structure emphasizes verticality, and the rounded-square curves create a subtly engineered feel. In longer lines, the heavy texture can become visually intense, so spacing and size choices will strongly affect readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸