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Free for Commercial Use

Sans Superellipse Idmol 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Rhea' by Dominik Krotscheck, 'Klik' by Fenotype, 'Muller Next' by Fontfabric, 'MNSTR' by Gaslight, 'Ramston' by Katatrad, 'Antry Sans' by Mans Greback, 'Prismatic' by Match & Kerosene, and 'Karmaline' by Mysterylab (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social ads, loud, playful, chunky, retro, cartoon, attention, impact, friendliness, nostalgia, simplicity, blocky, compact, rounded, bulky, soft corners.


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A compact, heavy display sans with rounded-rectangle geometry and softened corners throughout. Strokes are thick and uniform with minimal modulation, producing dense counters and a strong, poster-like silhouette. Proportions are tight and slightly condensed, with short, sturdy arms and terminals that read as blunt and squared-off rather than tapered. Rounds (O, C, G, 0) lean toward superelliptical forms, and the overall rhythm emphasizes mass and solidity more than refinement or detail.

Best suited for headlines, short slogans, and bold branding moments where maximum impact is the priority. It works well on posters, packaging, labels, and social graphics that benefit from a thick, high-ink presence. For longer passages, it’s most effective in brief bursts (pull quotes, section headers) where its dense texture remains readable.

The font conveys an assertive, energetic tone that feels friendly rather than aggressive due to its rounded construction. It reads as playful and attention-grabbing, with a retro advertising flavor and a slightly cartoonish bounce in the shapes. The dense black texture creates a confident, “headline-first” voice suited to bold statements.

Likely designed as a bold, friendly display face that prioritizes immediate visibility and a cohesive, rounded-block aesthetic. The consistent stroke weight and compact proportions suggest an emphasis on strong silhouettes and easy recognition in high-impact settings.

In text settings, the heavy color and compact spacing create strong impact but can quickly become visually dense at smaller sizes, especially in mixed-case lines. Numerals and punctuation share the same chunky construction, keeping the overall texture consistent and emphatic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸