Sans Superellipse Idlaz 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'QB One' by BoxTube Labs and 'CFB1 American Patriot' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, compact, impact, geometric consistency, brand presence, display clarity, blocky, rounded corners, squared curves, stencil-like counters, high impact.
A heavy, block-driven sans with rounded-rectangle construction and softened corners throughout. Curves tend to resolve into squarish bowls and superellipse-like rounds, producing a sturdy, geometric texture. Apertures are relatively tight and counters are compact, often appearing as small rectangular cut-ins (notably in round characters and numerals), which increases density at display sizes. Terminals are blunt and flat, diagonals are wide and stable, and spacing reads slightly tight, giving lines a solid, poster-ready color.
Best suited to headlines, short statements, and branding where strong presence and tight, blocky forms are desirable. It works well for sports and fitness identities, product packaging, bold wayfinding, and social graphics that need a dense, confident typographic voice. At smaller sizes, the compact counters and tight apertures can reduce clarity, so it’s most effective from medium to large display settings.
The overall tone is forceful and utilitarian, with a contemporary, engineered feel. Its squared curves and compact counters suggest toughness and efficiency, leaning toward athletic, technical, and urban branding rather than delicate or literary settings.
The design appears intended to deliver maximum impact with a unified rounded-rectangle geometry, combining friendliness from softened corners with the authority of heavy, compact forms. Its consistent construction across letters and numerals suggests a focus on logo-centric and display typography where visual cohesion and punch outweigh fine-detail readability.
Lowercase forms are simplified and sturdy, with single-storey shapes where applicable and minimal modulation. Numerals match the same rounded-rect logic, with enclosed figures feeling especially compact, reinforcing a cohesive, high-impact rhythm across mixed-case and numeric copy.