Sans Superellipse Efgip 6 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Expanded Series' and 'Geogrotesque Sharp' by Emtype Foundry (names referenced only for comparison).
Keywords: ui labels, app branding, product design, signage, headlines, clean, techy, friendly, streamlined, modern, modernization, soft geometry, digital ui, dynamic tone, systematic design, rounded corners, superelliptic, monoline, open apertures, slanted terminals.
A slanted, monoline sans with a superelliptic construction: curves read as rounded-rectangle forms rather than circles, and corners are consistently softened. Strokes keep an even thickness with minimal modulation, while terminals tend to be blunt or gently rounded, giving a tidy, engineered finish. Counters are open and generous, and the overall rhythm feels smooth and continuous, with slightly squared bowls on characters like O, D, and Q. Figures follow the same rounded-rect geometry, with simple, open shapes and a clean baseline presence.
Well-suited to interface typography, dashboards, and product surfaces where a clean, contemporary look is needed without harsh corners. It can also serve effectively in short-to-medium headlines, wayfinding, and brand systems that emphasize smooth geometry and a slightly dynamic, forward-leaning voice.
The tone is modern and approachable, balancing a technical, UI-like precision with soft corners that keep it from feeling cold. Its slant adds momentum and a subtle sense of speed, suggesting contemporary product and digital branding contexts.
Likely designed to deliver a modern sans that reads cleanly in practical settings while expressing a distinctive rounded-rectangle geometry. The consistent soft corners and steady stroke weight suggest an intention to feel systematic and digital-friendly, with the slant providing added energy for display and branding use.
The design shows consistent rounding across caps, lowercase, and numerals, reinforcing a cohesive “soft-geometry” system. Diagonal-heavy letters (K, V, W, X, Y) stay crisp while remaining compatible with the rounded overall language, and the Q’s tail is restrained and integrated rather than decorative.