Sans Superellipse Tigat 6 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Motel Xenia' by Fenotype, 'Shaimus' by Larin Type Co, and 'Coben' by cretype (names referenced only for comparison).
Keywords: posters, packaging, headlines, logos, signage, rugged, handmade, industrial, grunge, poster, distressed imprint, high impact, analog texture, compact setting, utility display, rough edges, inked, chunky, condensed, uneven texture.
A compact, heavy sans with rounded-rectangle construction and visibly roughened outlines, as if printed with a worn stamp or inked block. Strokes are thick and generally uniform, but the edges show consistent abrasion and slight waviness that softens corners and adds texture. Counters are tight and sometimes partially pinched by the distressed perimeter, while round letters lean toward squarish bowls and superelliptical curves. Overall spacing reads compact and efficient, with a steady rhythm that stays legible despite the intentionally uneven contours.
Well-suited to posters, bold headlines, packaging, and label-style graphics where a rugged, printed texture is desirable. It can also work for short branding lines or logo wordmarks that benefit from a stamped, handmade look, and for signage-inspired layouts where compact width helps fit longer words.
The font conveys a tactile, analog attitude—assertive, utilitarian, and a bit gritty. Its distressed texture suggests craft printing, worn signage, or DIY poster culture, giving text an immediate, street-level energy rather than a polished corporate feel.
The design appears intended to combine a condensed, high-impact sans structure with an intentionally weathered imprint, delivering strong readability while projecting an analog, distressed character. Its rounded-rectangle skeleton keeps forms simple and sturdy, while the rough perimeter injects personality and a print-worn authenticity.
Uppercase forms are tall and compact with squared-off terminals, while lowercase stays straightforward and sturdy, keeping a consistent texture across the alphabet. Numerals match the same stamped, slightly eroded finish, making mixed alphanumeric settings feel cohesive. The distress is strong enough to be a defining feature, so it reads best when the texture is allowed to show at display sizes.