Sans Faceted Beni 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Racon' by Ahmet Altun, 'Judgement' by Device, 'Magnitudes' by DuoType, 'LHF Advertisers Square' by Letterhead Fonts, 'MC Brakely' by Maulana Creative, 'Bankster' by Pelavin Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sportswear, logos, packaging, athletic, industrial, assertive, retro, mechanical, impact, ruggedness, geometry, display, blocky, angular, chamfered, octagonal, compact.
A heavy, block-constructed sans with crisp chamfered corners and planar cut-ins that substitute for curves. Strokes remain consistently thick, with squared terminals and frequent octagonal silhouettes on rounded forms like C, O, and G. Counters are tight and rectangular, producing a dense color, while the x-height reads tall and the lowercase stays close in structure to the uppercase for a sturdy, uniform rhythm. Numerals follow the same faceted logic, with straight-sided bowls and clipped corners that keep figures compact and punchy.
Best suited to headlines, titles, and short statements where bold impact and angular character are desirable. It fits team branding, athletic apparel, event posters, product packaging, and bold logo wordmarks, and it can work for signage or labels that need a robust, high-presence look.
The overall tone is forceful and functional, evoking sports lettering, workmanlike labeling, and rugged equipment graphics. Its sharp facets and compressed interior spaces give it a tough, no-nonsense voice with a slightly retro, arcade-or-stencil-adjacent edge without looking decorative.
The design appears aimed at delivering maximum presence through a faceted, engineered geometry: a sans framework hardened by clipped corners, squared bowls, and tight counters. The consistent construction across capitals, lowercase, and numerals suggests a system built for emphatic display typography and brandable, repeatable shapes.
The angular construction makes it especially confident at larger sizes, where the corner cuts and internal notches become part of the personality. In longer text blocks, the dense counters and uniform stroke mass create a strong, poster-like texture rather than a quiet reading color.