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Free for Commercial Use

Sans Superellipse Igdi 5 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Guildhall' by Device, 'Kairos Sans' by Monotype, 'Reznik' by The Northern Block, and 'Breuer Headline' by TypeTrust (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, sportswear, industrial, athletic, impactful, confident, playful, attention-grabbing, space-efficient, brand-ready, signage clarity, friendly strength, rounded corners, blocky, compact, squarish, softened.


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A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and counters (notably in O, C, G, 0), while straight strokes stay crisp and broad, producing a dense, poster-ready color. Proportions feel compact with a tall x-height and short ascenders/descenders; many letters sit on sturdy, flat terminals. Round letters read as superelliptical rather than purely circular, and diagonal forms (V, W, X, Y) are wide and weighty with minimal delicacy. Numerals match the same squared, rounded geometry for a consistent, bold texture in mixed settings.

Well-suited to headlines, posters, and branding where maximum impact and quick recognition are needed. It fits signage, packaging, sports or athletic identity systems, and bold UI labels where a sturdy, friendly-industrial voice works best. The dense, rounded-block construction also lends itself to logos and wordmarks that benefit from a compact, muscular silhouette.

The overall tone is assertive and high-energy, with a sporty, workmanlike character. Rounded corners temper the mass, giving it a friendly, approachable edge despite the strong weight. The result feels contemporary and attention-grabbing, like signage or team branding that needs to read fast and loud.

This design appears intended to deliver a bold, space-efficient voice built from rounded-rectangle forms—combining the authority of a heavy grotesque with softened corners for approachability. The consistent superelliptical shaping across caps, lowercase, and numerals suggests an emphasis on uniform texture and strong silhouette for display-forward typography.

Counters are relatively small for the weight, helping the face hold its presence at large sizes; at smaller sizes it will likely appear especially dense. The lowercase shows simplified, sturdy shapes (single-storey forms where applicable) and a utilitarian rhythm, while punctuation and figures maintain the same squared-round theme for cohesive headlines and labels.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸