Sans Normal Mabav 12 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Plata' by 4RM Font, 'FF Good' and 'FF Good Headline' by FontFont, 'Giga Sans' by Locomotype, 'Engram Pro' by Machalski, 'Ava Grand' by Matt Chansky, and 'Performa' by Resistenza (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, energetic, friendly, confident, retro, impact, momentum, approachability, headline clarity, brand presence, oblique, rounded, chunky, soft corners, compact apertures.
A heavy, oblique sans with rounded geometry and broad, compact counters. Strokes are uniform and dense, with soft corner rounding and subtly sheared terminals that emphasize forward motion. Uppercase forms are sturdy and block-like, while lowercase keeps a tall, prominent x-height with single-storey a and g and a simple, straight descender on y. Numerals are similarly weighty and rounded, with tight apertures that help maintain a solid, poster-ready silhouette.
This font is best suited to headlines, posters, and bold branding where its heavy presence and oblique momentum can carry a message. It works well for sports and event graphics, packaging callouts, and promotional signage, especially at larger sizes where its rounded details and compact counters remain clear.
The overall tone is bold and upbeat, combining athletic urgency with a friendly, approachable softness. Its slanted stance and chunky shapes read as confident and promotional, with a slight retro flavor reminiscent of mid-to-late 20th century display typography.
The design appears intended to deliver maximum visual impact with a dynamic, forward-leaning stance while keeping forms approachable through rounded construction. It prioritizes bold texture, quick recognition, and a cohesive, energetic word shape for display-driven typography.
Spacing and sidebearings appear tuned for impact rather than delicacy, giving words a strong, continuous texture in lines of text. The rounded bowls and restrained openings (notably in C, S, and e) favor punchy headlines and short phrases where mass and rhythm are the priority.