Sans Normal Uhrol 11 is a regular weight, narrow, medium contrast, upright, normal x-height font visually similar to 'Formata' and 'Formata W1G' by Berthold, 'Poynter Gothic' by Font Bureau, 'Frutiger Next Paneuropean' by Linotype, 'Belle Sans' by Park Street Studio, and 'Parisine Std' by Typofonderie (names referenced only for comparison).
Keywords: books, editorial, magazines, branding, headlines, classic, neutral, refined, bookish, readability, space saving, editorial tone, classic voice, print feel, crisp, bracketed, humanist, compact, calligraphic.
This typeface shows compact proportions with a steady rhythm and clear, open counters. Strokes exhibit moderate contrast and a subtly calligraphic modulation, with small bracketed terminals and gently tapered joins that keep shapes crisp rather than geometric. Curves are smooth and controlled (notably in C, G, and O), while verticals remain firm and evenly weighted. The lowercase is straightforward and readable, with a two-storey “a,” compact “e,” and a clean, economical “s,” supported by lining figures that share the same sturdy, text-oriented structure.
It performs well in long-form text such as books, essays, and editorial layouts where compact width and consistent color help fit content efficiently. It also suits magazine headlines and restrained branding systems that need a classic, polished voice without overt stylistic flourishes.
Overall, the font conveys a composed, traditional tone that feels familiar and trustworthy without becoming ornate. It reads as quietly authoritative—more literary and editorial than expressive—suited to content-first typography where clarity and a touch of refinement matter.
The design appears intended as a practical, text-driven face that blends clarity with subtle traditional detailing. Its measured contrast and compact fit suggest a goal of maintaining comfortable readability while providing a slightly elevated, print-heritage character for professional publishing contexts.
At display sizes the subtle modulation and bracketed endings become more apparent, giving headlines a slightly engraved, print-like finish. Spacing appears balanced for continuous reading, and the punctuation and capitals maintain a calm, even presence in paragraph settings.