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Sans Normal Kyrer 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Canava Grotesk' by Arodora Type, 'BR Omny' and 'BR Shape' by Brink, 'Mozaic' by TipoType, and 'Sonny Gothic Vol 2' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, confident, sporty, punchy, friendly, modern, impact, momentum, modernity, approachability, display clarity, rounded, geometric, soft corners, compact counters, forward-leaning.


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This typeface is a heavy, forward-slanted sans with rounded, geometric construction and smooth, low-friction curves. Strokes are consistently thick with minimal modulation, producing compact counters and strong dark shapes. Terminals are generally blunt with softened corners, and the overall rhythm feels steady and even, with round letters (O, C, e) reading as clean ellipses and straighter forms (E, F, T) kept simple and blocky. Figures are sturdy and open enough to remain distinct at display sizes, with a single-storey “a” and “g” reinforcing the simplified, contemporary build.

Best suited to short, high-impact applications such as headlines, posters, brand marks, packaging callouts, and sports or event graphics where bold presence and motion are desired. It can work for brief subheads or UI highlights when used with ample size and spacing, but its dense color is most comfortable in display roles.

The overall tone is assertive and energetic, with a friendly softness coming from the rounded geometry. The slant adds momentum and a sense of motion, making the font feel sporty and promotional rather than formal or editorial.

The design appears intended to deliver maximum visual impact with a modern, rounded sans voice, pairing a strong weight with an italicized forward drive. Its simplified letterforms and compact counters suggest a focus on clarity and punch in promotional and branding contexts.

In text settings, the weight and slant create a dense, high-impact texture; spacing and counters feel intentionally compact for punchy headlines. Round punctuation (such as the i/j dots) reads clearly and contributes to the approachable, geometric character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸