Sans Superellipse Ondil 5 is a regular weight, normal width, monoline, upright, tall x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio (names referenced only for comparison).
Keywords: code ui, terminal ui, dashboards, labels, technical docs, technical, utilitarian, retro, minimal, systematic, ui clarity, grid consistency, terminal aesthetic, functional legibility, compact rhythm, squared, rounded, boxy, compact, modular.
This font is built from a modular, squared framework with consistently rounded corners, producing superellipse-like bowls and counters. Strokes are even and uniform, with straight-sided curves that read as rounded rectangles rather than true circles. Proportions are compact and tidy, with generous inner counters for clarity and a notably large lowercase height relative to capitals. Terminals are blunt and orthogonal, and diagonals (as in K, V, W, X, and y) feel crisp and engineered within the grid-like rhythm.
It suits interfaces and readouts where alignment and consistent character width help scanning—such as coding environments, terminal-style UI, instrumentation, dashboards, and structured tables. It also works well for concise labels, signage-like captions, and technical documentation where a compact, no-nonsense rhythm is desirable.
The overall tone is pragmatic and machine-minded, balancing a friendly softness from the rounded corners with an unmistakably technical, instrument-panel character. It evokes classic terminal and display readouts—retro in spirit but clean enough to feel contemporary.
The design appears intended to deliver highly consistent, grid-friendly letterforms with a softened geometric edge, prioritizing uniformity and legibility in dense, structured text. Its rounded-rectilinear construction suggests a deliberate nod to terminal and device typography while staying polished for modern digital use.
Round letters like O, Q, and 0 lean toward squarish ovals, reinforcing a pixel-adjacent, industrial look without becoming bitmap-like. The lowercase forms are straightforward and functional, and the lining figures share the same rounded-rectangle construction for a cohesive texture in mixed alphanumeric settings.