Slab Weird Ubvo 10 is a bold, normal width, medium contrast, italic, normal x-height font.
Keywords: headlines, sports branding, posters, logotypes, packaging, sporty, techy, assertive, retro, industrial, impact, speed, durability, display, slab serif, oblique, chamfered, ink-trap, squared counters.
A heavy, oblique slab serif with a squared, engineered construction and visibly chamfered corners. Strokes are mostly uniform with slightly softened inner corners that read like subtle ink-traps, and many counters are squarish or rounded-rectangle shapes. The serifs are blocky and integrated, often appearing as flat platforms or bracketless slabs that reinforce a sturdy, mechanical rhythm. Curves are minimized in favor of angled joins and clipped terminals, giving the letterforms a compact, forward-leaning silhouette with strong horizontals and confident diagonals.
Best suited to headlines, brand marks, and short display lines where its slanted, slab-heavy construction can carry personality and impact. It works particularly well for sports and motorsport-style graphics, industrial or tech-forward packaging, and poster typography that benefits from a compact, high-contrast silhouette against a clean background.
The overall tone is energetic and punchy, combining a retro athletic flavor with a more technical, fabricated feel. The slanted stance and squared details suggest speed and impact, while the slab structure adds solidity and authority. It reads as bold and attention-seeking without becoming playful or decorative in a whimsical way.
The design appears intended to merge a rugged slab-serif backbone with a streamlined, speed-oriented slant and angular detailing. Its clipped corners and squared counters feel purpose-built to look mechanical and modern while still referencing vintage athletic and industrial lettering conventions.
Uppercase and lowercase share a consistent geometric logic, and the numerals mirror the same squared-off, beveled treatment for a cohesive set. The design’s tight apertures and strong slabs make it feel dense and headline-oriented, especially in longer text where the oblique rhythm becomes a prominent texture.