Sans Superellipse Ogguf 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Kensmark' by BoxTube Labs, 'Evanston Tavern' by Kimmy Design, 'Berber' by Letterbox, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sportswear, bold, playful, retro, friendly, punchy, impact, display, retro branding, friendly boldness, signage, rounded corners, blocky, compact, soft terminals, chunky.
A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and even, with small, rectangular counters and tight apertures that give the letters a compact, sturdy silhouette. Curves read as squarish superellipses rather than true circles, and joins are clean and simplified for strong, uniform texture. The overall rhythm is dense and poster-forward, with numerals matching the same squared, softened geometry.
Best suited to display settings where impact and readability at a distance matter: posters, large headlines, logos, and bold brand marks. It can work well on packaging and apparel graphics where a compact, chunky texture helps type hold its shape and visual weight.
The font projects a confident, upbeat tone with a distinctly retro display feel. Its chunky shapes and softened corners keep it friendly rather than aggressive, while the tight counters and blunt terminals add a punchy, attention-grabbing voice.
The design appears intended to deliver maximum visual impact using a simplified, rounded-rectangular geometry that stays cohesive across letters and numerals. It prioritizes strong silhouettes and a uniform, ink-trap-free construction for clean reproduction in bold, graphic applications.
Uppercase forms look especially robust and sign-like, while the lowercase keeps the same architectural, squared-round logic for consistency. The sample text shows strong color and presence at larger sizes, with the tight internal spaces becoming a defining visual trait.