Sans Superellipse Jibok 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Jawbreak' and 'Outlast' by BoxTube Labs, 'Mexiland' by Grezline Studio, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, sports, industrial, retro, assertive, sporty, tech, impact, modularity, clarity, blocky, squared, rounded corners, compact, sturdy.
A heavy, block-constructed sans with rounded-rectangle anatomy and softened corners throughout. Counters are squarish and relatively small, producing dense, high-impact letterforms with minimal interior white space. Curves are largely replaced by superelliptical bends, while straight strokes terminate in flat ends with consistent radiusing. Uppercase forms feel compact and rigid; lowercase follows the same modular logic with a single-storey a, simple g, and short, chunky extenders. Numerals are similarly squared and robust, designed to read as solid, uniform blocks at display sizes.
Best suited to attention-grabbing applications such as headlines, posters, packaging, and logos where mass and geometric character are assets. It can also work well for signage, sports and team identities, and bold UI labels, especially when short text needs to hold strong contrast against busy backgrounds.
The overall tone is bold and no-nonsense, with a distinctly industrial and retro signage flavor. Its squared geometry and tight counters give it an assertive, sporty energy that also reads as tech-forward and utilitarian. The softened corners keep the toughness from feeling sharp or hostile, lending a friendly-but-strong presence.
The design appears intended to deliver maximum impact through a modular, rounded-rectilinear construction that stays consistent across the full character set. Its goal is likely to combine the authority of block lettering with a smoother, more contemporary feel via generous corner rounding and simplified, geometric counters.
Rhythm is driven by repeated rounded-rectangle motifs, creating strong stylistic consistency across letters and figures. The compact apertures and condensed inner spaces suggest best performance at larger sizes, where the shapes and counters can remain clearly differentiated.