Sans Superellipse Ibrak 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device, 'Taz' and 'TheSans' by LucasFonts, 'Sans Beam' by Stawix, and 'Parisine Std' by Typofonderie (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, retro, approachable, impact, approachability, geometric clarity, soft corners, compact, blocky, rounded, lively.
A heavy, compact sans with rounded-rectangle construction throughout. Curves resolve into broad, superelliptical bowls, while terminals are blunt and softly squared rather than sharp. Counters are relatively open for the weight, and joins are sturdy, creating a dense, poster-like color. The lowercase is simple and sturdy with single-storey forms (notably a and g), short extenders, and a squared-off rhythm that keeps words feeling tightly set. Numerals are similarly chunky and geometric, with smooth, rounded corners and clear silhouettes.
Best suited for display roles where impact and friendliness are priorities—headlines, posters, product packaging, and bold brand marks. It also works well for short UI labels or callouts when a warm, chunky geometric look is desired, though its dense color favors larger sizes and moderate line lengths.
The overall tone is bold and upbeat, with a friendly softness coming from the rounded corners and generous curves. It reads as contemporary yet slightly retro, evoking playful signage and pop-forward branding rather than formal editorial typography. The weight and compactness give it a confident, attention-grabbing voice.
The font appears designed to deliver maximum visual presence with a soft-edged geometric personality. Its superelliptical curves and blunt terminals aim for high legibility at display sizes while keeping the tone approachable and contemporary, supporting energetic branding and bold typographic statements.
The design maintains a consistent rounded-rectangle logic across straight and curved strokes, producing a uniform, cushiony texture in text. Uppercase forms feel especially blocky and stable, while the lowercase adds a touch of casualness through simplified construction and sturdy proportions.