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Sans Other Ablum 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Comic Jungle' by Blankids, 'Vilanders' by Edignwn Type, 'Knicknack' by Great Scott, 'Otter' by Hemphill Type, 'Klop' by Invasi Studio, 'JollyGood Proper Condensed' by Letradora, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, comedy, playful, cartoon, bold, quirky, friendly, whimsy, impact, informality, approachability, novelty, rounded, bouncy, chunky, irregular, soft corners.


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A heavy, rounded sans with chunky strokes and softly blunted terminals. The letterforms show intentional irregularity: subtle tilts, uneven angles, and slightly wobbly contours create a hand-cut or cut-paper feel while maintaining clear silhouettes. Counters are generally small and rounded, and curves are inflated and bulbous, giving the alphabet a compact, lively rhythm. The overall texture reads dense and emphatic, with noticeable per-glyph variation that keeps lines of text animated rather than mechanically uniform.

Best suited to short display settings where bold presence and personality are the priority, such as posters, cover art, kids-oriented materials, playful packaging, and humorous or festive branding. It can work for large subheads or pull quotes, but is less ideal for dense body text where the heavy texture and irregular rhythm may reduce comfort.

The tone is playful and comedic, suggesting kids’ media, lighthearted branding, and attention-grabbing display use. Its bouncy shapes and deliberate wonkiness feel informal and approachable, with a cartoon-like energy that suits humorous or whimsical messaging.

The design appears intended to deliver an instantly recognizable, fun display voice through oversized weight, rounded geometry, and a deliberately imperfect, hand-made cadence. It prioritizes character and impact over strict typographic regularity, aiming for a warm, cartoon-forward impression in large-size applications.

In longer samples the irregular outlines and shifting angles add motion, but they also create a noisy texture at smaller sizes. The weight and tight counters produce strong impact in headlines, while the numerals match the same inflated, friendly construction for cohesive titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸