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Free for Commercial Use

Sans Normal Namij 1 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Equip' and 'Galvani' by Hoftype, and 'PF Centro Sans Pro' by Parachute (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, confident, friendly, retro, punchy, loud, impact, approachability, retro display, brand voice, rounded, soft corners, chunky, compact apertures, ink-trap hints.


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A heavy, rounded sans with broad proportions and a compact, high-impact silhouette. Strokes are thick and mostly uniform, with smooth curves and softly blunted corners that keep the texture dense and dark. Counters are relatively small and apertures are tight, especially in letters like C, S, and a, while bowls and rounds (O, Q, 0, 8, 9) read as full, weighty forms. Several joins show subtle notches or ink-trap-like cuts (notably around shoulder/arm connections and in B/S-style curves), adding a slightly engineered feel and improving separation in such a dark weight. Overall spacing and rhythm favor headline presence over airy readability, producing an assertive, poster-like word shape.

Best suited for short-to-medium display settings where strong presence is needed: headlines, posters, storefront or wayfinding signage, packaging, and bold brand marks. It can also work for large-size pull quotes or social graphics, where its dense texture and rounded construction maintain clarity at scale.

The font feels bold and approachable at the same time: friendly due to its rounded forms, yet emphatic because of its dense color and tight openings. It carries a retro advertising energy—big, attention-grabbing, and slightly playful—without leaning into novelty shapes.

The design appears intended to deliver maximum impact with a friendly, rounded voice—creating solid, high-contrast silhouettes in words while keeping the shapes simple and modern. Subtle cut-ins at joins suggest an effort to preserve definition and prevent forms from clogging in such a heavy style.

The lowercase is sturdy and simplified, with single-storey forms (a, g) and short ascenders/descenders that help keep lines compact. Numerals are hefty and rounded, matching the letterforms closely; figures like 2, 3, 5, and 9 show sculpted curves that emphasize a lively, display-forward personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸