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Free for Commercial Use

Sans Normal Lynuz 3 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Akzidenz-Grotesk Next' by Berthold, 'Fusion Collection' by Blaze Type, 'Jouter Sans' by Groteskly Yours, and 'Crique Grotesk' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial display, sporty, assertive, energetic, modern, industrial, impact, momentum, strength, attention, display, oblique, geometric, blocky, compact, high-impact.


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A heavy, oblique sans with broad proportions and tightly controlled counters. Strokes are thick and relatively even, with rounded bowls and blunt, squared-off terminals that keep the silhouette dense and compact. Curves are smooth and circular in letters like O, C, and G, while diagonals (A, K, V, W, X) lean forward with a consistent slant and strong, blocky joins. The lowercase is sturdy and utilitarian, with a single-storey a and g and minimal interior openings that emphasize weight and solidity; figures are similarly bold, with rounded forms and simple, punchy construction.

Best suited to headlines and short, high-impact statements where the bold texture and slanted stance can do the work. It fits sports and event branding, promotional posters, packaging callouts, and editorial display settings where a punchy, modern voice is needed.

The overall tone is loud and forward-driving, with a no-nonsense, performance-oriented attitude. Its combination of hefty mass and brisk slant suggests speed, power, and urgency, lending a contemporary, competitive feel.

The design appears intended to maximize impact and momentum: a dense, powerful sans with a consistent forward slant and simplified constructions that stay legible at large sizes. Its geometry and blunt terminals prioritize clarity and strength over delicacy, aiming for confident display performance.

Spacing appears tuned for headline density: wide letterforms with small apertures create a strong “inked” texture and prominent word shapes. The italic angle is consistent across uppercase, lowercase, and numerals, maintaining a cohesive rhythm in longer lines of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸