Sans Superellipse Pimob 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bilokos' by AukimVisuel, 'Morgan Tower' by Feliciano, 'Brookside JNL' by Jeff Levine, 'Jetlab' by Swell Type, 'Raviona' by Umka Type, and 'Competition' and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, retro, assertive, techy, compressed, space saving, high impact, geometric consistency, display focus, condensed, blocky, rounded corners, squared counters, stencil-like.
A condensed, heavy display sans with a monoline build and rounded-rectangle construction. Strokes are straight and vertical-dominant, with corners softened into superellipse-like curves and counters that read as squared or slot-shaped openings. The rhythm is tight and upright, with short horizontal bars, compact bowls, and generally closed apertures that keep silhouettes dense and uniform. Numerals and capitals share the same tall, compressed stance, producing strong, poster-ready color.
Well-suited to headlines, posters, and signage where a compact, high-impact voice is needed. It can also work for branding and packaging that aims for an industrial, retro-futurist, or technical feel, especially in short phrases, labels, and punchy typographic lockups.
The font projects an industrial, no-nonsense tone with a retro-technical edge. Its compressed proportions and squared, rounded-corner geometry feel utilitarian and mechanical, lending an authoritative voice that reads bold and controlled rather than playful.
The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a clean, geometric consistency. Its rounded-rectangle vocabulary and dense counters suggest a purposeful, engineered display face built for strong silhouettes and clear vertical emphasis.
Lowercase forms largely echo the uppercase architecture, reinforcing a consistent, engineered texture in text. The dot on i/j is a compact square/rectangular mark, and several letters use narrow interior cut-ins that can suggest a subtle stencil/engraved effect at larger sizes. Because counters are small and spacing is tight, the face reads best when given room (larger sizes or slightly increased tracking).