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Sans Superellipse Hidod 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Gigenham' by Maulana Creative, 'DIN Next' by Monotype, and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, industrial, compact, assertive, technical, poster-like, space-saving, high impact, geometric uniformity, modern utility, condensed, blocky, square-rounded, geometric, sturdy.


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This is a heavy, condensed sans with block-like strokes and rounded-rectangle (superelliptic) counters. Curves are squared-off and corners are consistently softened, producing a tight, engineered rhythm rather than a calligraphic one. Apertures tend to be small and joins are firm, with a tall, compact vertical emphasis that keeps lines dense and punchy. Numerals and capitals share a similarly rigid, modular construction, and the overall spacing reads efficient and utilitarian at display sizes.

Best suited to short, high-impact text such as headlines, poster titles, packaging callouts, and bold brand marks where a condensed footprint is helpful. It can also work for wayfinding-style signage and labels, particularly where a sturdy, engineered look is desired. For long-form reading, the dense forms and tight apertures suggest using it sparingly as a display companion rather than body text.

The tone is forceful and no-nonsense, with a compressed, high-impact presence that feels industrial and technical. Its squared rounding adds a contemporary, manufactured feel—more equipment-label than friendly signage. Overall it conveys strength, efficiency, and a slightly retro display energy reminiscent of bold packaging and headline typography.

The likely intention is a compact, high-visibility display sans built from superelliptic geometry—optimized to read as strong and uniform in large sizes while saving horizontal space. The rounded-square construction appears designed to deliver a contemporary industrial character without resorting to sharp corners or ornamental details.

The design language is highly consistent across the set, favoring straight stems, clipped terminals, and squarish bowls. The rounded-square treatment is especially evident in characters like O/Q and the digit 0/8/9, helping the face maintain a cohesive, structured silhouette even in mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸