Sans Normal Ohmak 14 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Maison Neue' by Milieu Grotesque, 'Inerta' by Mint Type, 'Crique Grotesk' by Stawix, 'TT Commons™️ Pro' by TypeType, and 'Montilla' by Zafara Studios (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, robust, straightforward, high impact, display clarity, modern utility, brand presence, rounded, geometric, clean, high contrast, compact.
A heavy, geometric sans with broadly circular bowls and smooth, rounded curves paired with blunt, flat terminals. Strokes are consistently thick and even, producing strong silhouettes and minimal internal counters at text sizes. Proportions feel compact with sturdy verticals and simple, unmodulated joins; diagonals (as in V/W/X/Y) are wide and stable rather than sharp. Lowercase forms are built from basic shapes with single-storey a and g, a round dot on i/j, and short, squared-off arms on letters like t and f.
This font is well suited to large-size applications such as headlines, posters, brand marks, packaging callouts, and short UI labels where a strong typographic voice is helpful. It can work for signage or wayfinding at moderate-to-large sizes, but for extended reading it benefits from generous tracking and line spacing to offset its dense color.
The overall tone is direct and contemporary, with an approachable, friendly warmth coming from the rounded geometry. Its weight and compact spacing make it feel assertive and attention-getting, suited to messaging that needs to read as confident and uncomplicated rather than delicate or formal.
The design appears intended to deliver maximum presence with minimal stylistic distraction: a geometric, high-impact sans optimized for clarity at display sizes and for creating bold, modern typographic statements.
In the sample text, the dense black color and tight-looking counters create strong impact but can reduce clarity in long passages, especially where apertures close up (e.g., e, a, s). Numerals are bold and legible with simple construction and a clear distinction between curved and straight elements.