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Free for Commercial Use

Serif Other Etti 5 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Gabriela Stencil' by Lechuga Type (names referenced only for comparison).

Keywords: headlines, editorial, magazine covers, branding, posters, fashion, elegant, dramatic, refined, display impact, luxury tone, stylized classicism, editorial voice, flared serifs, high-waist contrast, sharp terminals, stylized forms, calligraphic influence.


Free for commercial use
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This typeface is a stylized serif with pronounced flared, wedge-like serifs and frequent triangular cut-ins that create a sculpted, chiselled silhouette. Strokes are relatively steady but shaped by sharp tapers and knife-like terminals, producing a crisp rhythm rather than a purely classical bracketed-serif flow. The capitals feel tall and display-oriented, with distinctive curved joins and occasional deep notches (notably in letters like S, G, and Q), while the lowercase keeps a compact, editorial texture with narrow counters and lively entry/exit strokes. Numerals echo the same carved, high-fashion treatment, with dramatic curves and pointed finishing strokes that read as intentionally decorative.

Best suited for headlines, decks, pull quotes, and other display roles where the carved terminals and flared serifs can be appreciated. It works well in editorial and fashion contexts, premium branding, and poster typography, especially when given ample size and spacing to preserve clarity.

The overall tone is luxurious and image-conscious, leaning toward fashion and magazine typography rather than traditional book serifs. Its sharp, sculptural details add drama and sophistication, giving headlines a curated, boutique feel with a slightly theatrical edge.

The design appears intended to blend classical serif structure with a contemporary, decorative cut-paper or engraved aesthetic. Its aim is to deliver a refined, high-impact voice for display typography, emphasizing elegance and individuality through sharp tapers and sculpted negative space.

Many glyphs show a consistent motif of incised cuts and tapering wedges that creates visual sparkle at large sizes but can become busy in dense settings. The letterforms prioritize distinctive silhouettes over neutrality, making the font feel like a statement face rather than a general-purpose text workhorse.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸