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Sans Superellipse Otloh 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'Aspire Narrow' by Grype, 'B52' by Komet & Flicker, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, posters, logos, branding, packaging, techy, industrial, sporty, futuristic, assertive, impact, modern branding, technical clarity, geometric consistency, squared-rounded, sturdy, blocky, compact, geometric.


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This typeface is built from chunky, geometric strokes with heavily rounded corners and squared counters, giving many letters a rounded-rectangle (superellipse) footprint. Stems are straight and uniform in thickness, terminals are mostly blunt, and curves are tightened into controlled arcs rather than fully circular bowls. The uppercase set looks wide and stable with broad shoulders and simplified joins, while the lowercase maintains a compact, utilitarian structure with single-storey forms and minimal modulation. Numerals follow the same squared-round logic, with closed, boxy bowls and clearly cut apertures that keep the shapes from collapsing at smaller sizes.

It suits display roles where impact and a contemporary, technical feel are desired—headlines, posters, product branding, and logo work. The sturdy geometry and squared-round details also make it a good fit for packaging, sports or automotive-style graphics, and interface titles where a compact, punchy voice is needed.

The overall tone is modern and engineered, with a confident, no-nonsense voice. Its rounded corners soften the impact of the heavy shapes, but the squared geometry keeps it feeling technical and performance-oriented rather than friendly or handwritten.

The design appears intended to combine bold, high-impact construction with softened corner treatment, creating a modern geometric sans that reads as both robust and refined. Its emphasis on squared counters and consistent rounding suggests a focus on clarity and repeatable shapes suitable for contemporary branding systems.

Across the alphabet, the design favors simplified construction and consistent corner radii, producing a tight rhythm and strong word shapes. Counters are generally rectangular and apertures are deliberately carved, which supports legibility in bold settings and helps the face hold up in high-contrast, single-color applications.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸