Sans Superellipse Fekoj 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'Knight Sans' by Cadson Demak, 'FF Zwo' by FontFont, 'FS Millbank' by Fontsmith, and 'Knight Sans' by T-26 (names referenced only for comparison).
Keywords: branding, posters, headlines, signage, packaging, sporty, dynamic, modern, confident, friendly, impact, momentum, clarity, modernization, approachability, rounded, oblique, compact, geometric, soft corners.
A heavy, oblique sans with rounded-rectangle construction and broadly even stroke weight. Curves are smooth and full, with softened terminals and squared-off inner counters that give many letters a superelliptical, engineered feel. Uppercase forms are sturdy and compact, while lowercase shows simple, single-storey shapes (notably the a and g) and a sturdy, utilitarian rhythm. Numerals are similarly blocky and rounded, staying consistent in weight and corner treatment for a cohesive, display-forward texture.
Best suited to branding, headlines, and poster typography where its weight and oblique stance can deliver instant emphasis. It also works well for signage and packaging that benefit from a bold, modern voice with friendly rounding. In longer passages, it is likely most effective as a callout or subhead rather than continuous body copy.
The overall tone is energetic and assertive, with a forward-leaning motion that reads sporty and contemporary. Rounded corners keep it approachable, balancing the strong weight with a friendly, modern warmth. It feels designed to signal momentum, impact, and clarity rather than delicacy.
The design appears intended to combine geometric, rounded-rectangle forms with a strong, forward-leaning stance for high-impact communication. Its consistent stroke weight and softened corners suggest a focus on robust reproduction and a contemporary, approachable personality.
The slant is consistent and pronounced, and the geometry stays tight and controlled, producing a strong silhouette at larger sizes. Distinctive squared curves (especially in C, G, O/Q and the bowls of b/p/d) reinforce a technical, logo-like character, while the open apertures help maintain legibility in short lines.