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Free for Commercial Use

Slab Square Subez 8 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Shandon Slab' by Hoftype, 'Kheops' by Tipo Pèpel, and 'Cabrito' by insigne (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, book covers, confident, retro, editorial, athletic, punchy, impact, motion, display clarity, vintage flavor, brand emphasis, bracketed, blocky, compact joins, ink-trap feel, rounded corners.


Free for commercial use
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A heavy, right-leaning slab serif with broad proportions, sturdy stems, and a consistent, low-contrast stroke structure. Serifs read as squared slabs with subtle bracketing and slightly softened corners, giving the forms a carved, print-like solidity rather than a sharp geometric feel. Curves are generous and compact, with counters kept open for the weight, while joins and terminals show small notches and shaping that add texture and rhythm in text. Numerals and capitals carry the same muscular construction, producing a strong, even color on the page.

Best suited to display work such as posters, headlines, and campaign graphics where a bold, italicized slab presence can drive hierarchy. It also fits sports-leaning branding, labels, and packaging that benefit from a sturdy, vintage-inflected voice, and can work for short editorial callouts or cover typography when set with comfortable spacing.

The overall tone is assertive and energetic, with a distinctly vintage, poster-and-print character. Its slanted stance and chunky slabs suggest motion and emphasis, making it feel sporty and promotional while still grounded enough for editorial display.

The design appears intended to combine the punch of a heavy italic with the stability and legibility cues of slab serifs, producing a font that reads confidently at display sizes while retaining a familiar, print-rooted structure. The shaped terminals and compact curves add distinctive personality without relying on high contrast or delicate features.

In the sample text, the dense stroke mass creates a dark, consistent typographic color, and the crisp slab endings help maintain letter separation at larger sizes. The forms feel designed to hold up in impactful settings where a strong silhouette matters more than delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸