Sans Superellipse Fyrej 14 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Cantiga' by Isaco Type; 'CamingoDos SemiCondensed' by Jan Fromm; and 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, punchy, modern, confident, emphasis, speed, impact, modernization, display clarity, rounded, oblique, compact, smooth, blocky.
A heavy, oblique sans with rounded-rectangle construction and smooth, inflated curves. Counters are compact and apertures tend toward the closed side, giving the design a dense, high-impact color. Terminals are clean and largely uniform, with a subtly squared softness rather than geometric circles, and the overall rhythm feels slightly compressed by the slant. Numerals are sturdy and wide-set, with a simple, sign-like construction that matches the letterforms.
This font is well suited to headlines, posters, and promotional copy where a strong oblique voice is desirable. It can work effectively in branding for athletic, street, or tech-adjacent products, and in packaging or labels that benefit from a compact, high-impact word shape. For longer passages, it’s likely best used sparingly or at larger sizes to preserve clarity in the tight counters.
The tone is energetic and assertive, with a sporty, forward-leaning presence. Its rounded corners keep it friendly, but the mass and tight counters make it feel bold and emphatic rather than casual. The overall impression is modern and action-oriented, suited to attention-grabbing messaging.
The design appears intended to deliver a bold, contemporary italic sans with softened, superelliptical geometry—combining speed and emphasis with approachable rounding. Its consistent, chunky forms and compact counters suggest a focus on display impact and logo-friendly silhouettes.
Uppercase forms read particularly solid and poster-like, while the lowercase keeps the same chunky voice with minimal calligraphic nuance. The slant and dense interior spaces suggest it will perform best when given adequate tracking and size, especially in all-caps settings.