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Sans Superellipse Gader 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Americane Condensed' by HVD Fonts, 'Antry Sans' by Mans Greback, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, logos, sporty, retro, punchy, energetic, assertive, impact, motion, display, brand voice, attention, slanted, rounded, compact, chunky, soft corners.


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A heavy, slanted sans with compact proportions and generously rounded, superellipse-like curves. Strokes are consistently thick with minimal modulation, producing dense black shapes and strong typographic color. Terminals tend to be sheared by the italic angle, giving many letters crisp, wedge-like endings while retaining soft, rounded outer corners. Counters are relatively tight, especially in bowls and numerals, and the overall rhythm reads as sturdy and cohesive with a slightly condensed feel in rounds and a broad, stable stance in verticals.

Best suited for headlines, posters, and short emphatic copy where bold presence and forward motion are desirable. It can work well in sports and entertainment branding, packaging callouts, and logo wordmarks that benefit from chunky, rounded forms. For longer text, larger sizes and generous spacing will help maintain clarity due to the tight counters and heavy weight.

The overall tone is bold and high-impact, combining a sporty, poster-like punch with a mild retro flavor. The italic slant adds motion and urgency, while the rounded geometry keeps the voice friendly rather than aggressive. It reads confident and attention-grabbing, suited to messages that want to feel fast, loud, and upbeat.

The design appears intended to deliver maximum impact with a streamlined, rounded construction and a built-in sense of speed from the italic angle. Its geometry balances softness and strength, aiming for a friendly but forceful display voice that remains cohesive across letters and numerals.

Uppercase forms are broad and simplified, while lowercase retains clear, single-storey shapes (notably in a and g) that emphasize a display-forward personality. Numerals are weighty and compact, matching the letters closely for consistent line texture. The slanted construction and dense counters suggest better performance at medium-to-large sizes where inner shapes have room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸