Sans Superellipse Fylel 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hyper Super' by Bisou (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, app headers, sporty, energetic, assertive, modern, dynamic, speed, impact, branding, display, modernity, slanted, compact, soft corners, wide stance, heavy.
A heavy, forward-slanted sans with rounded-rectangle construction and softened corners throughout. Strokes are broadly uniform, producing a sturdy, low-modulation silhouette with tight interior counters and compact apertures. The italic angle is pronounced and consistent, and many joins and terminals are cut on a diagonal, reinforcing a fast, directional rhythm. Curves tend toward superelliptical bowls (notably in O, C, G, and 0), while diagonals in letters like A, K, V, W, X, and Y are thick and tightly controlled, giving the design a dense, punchy texture.
This style performs best in short, prominent text such as sports branding, team or event graphics, impactful headlines, posters, and packaging where a bold, kinetic voice is needed. The strong slant and dense color make it ideal for display sizes and motion-adjacent contexts, while its rounded geometry helps maintain clarity in large-format signage and digital headers.
The overall tone reads like speed and impact: confident, athletic, and attention-grabbing. The slant and sharp diagonal cuts create urgency, while the rounded geometry keeps it approachable rather than aggressive. It feels contemporary and performance-oriented, suited to bold, high-energy messaging.
The design appears intended to deliver a fast, high-impact display voice built from rounded-rectangular geometry and consistent weight. Its combination of pronounced slant, diagonal terminals, and compact counters suggests a focus on momentum, modernity, and brand-forward legibility in large sizes.
The numerals are similarly wide and weighty, with simplified forms and strong diagonal accents (especially on 2, 4, 7). The lowercase includes single-storey shapes where expected for a geometric sans, and the dot on i/j is compact and angular, matching the general terminal treatment. Spacing appears tuned for dense set text at large sizes, with a strong black presence and minimal sparkle.