Sans Superellipse Gakiy 10 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Enotria' by Aspro Type, 'Asket' by Glen Jan, 'Sztos' by Machalski, 'Sans Beam' by Stawix, 'Palo' by TypeUnion, 'Cervo Neue Condensed' by Typoforge Studio, and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, retro, punchy, dynamic, confident, impact, motion, bold branding, display clarity, oblique, rounded, compact, chunky, geometric.
A heavy, oblique sans with compact proportions and broad, rounded-rect geometry. Strokes are thick and largely uniform, with softened corners and superellipse-like curves that keep counters open despite the weight. Terminals are clean and blunt, and the slant gives verticals a forward lean while preserving a steady, blocky footprint. Letterforms feel tightly built and sturdy, with short apertures and rounded bowls that create a bold, poster-ready silhouette.
Best for headlines, logos, and short messaging where strong presence is needed. It works especially well for sports and event graphics, apparel marks, bold packaging callouts, and energetic branding systems that benefit from a forward-leaning, compact sans.
The overall tone is energetic and assertive, with a sporty, retro-leaning flavor. The forward slant and chunky shapes read as fast, loud, and confident—well suited to attention-grabbing statements rather than quiet text.
The letterforms appear designed to deliver maximum visual impact with minimal detail: thick, uniform strokes for strong color, rounded geometry for friendliness, and an oblique stance to inject motion. The consistent, superelliptical shaping suggests an intent to look modern and manufactured while still nodding to vintage display styles.
The design maintains consistent curvature across rounds (C/G/O/Q and the numerals), producing a cohesive, rubber-stamp-like solidity. In the sample text, the dense color and oblique angle create strong momentum, so spacing and line breaks become part of the visual impact.