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Free for Commercial Use

Hollow Other Bypu 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Romper' by DearType, 'Grupi Sans' by Dikas Studio, and 'MVB Diazo' by MVB (names referenced only for comparison).

Keywords: headlines, posters, packaging, children's, stickers, playful, whimsical, cartoon, bubbly, handmade, attention, friendliness, novelty, craft feel, youthful, rounded, blobby, cutout, soft corners, ink trap.


Free for commercial use
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A chunky, rounded display face with inflated, blobby forms and soft terminals. Strokes are heavy and smooth, with pronounced internal knockouts and small teardrop-like cutouts that appear as decorative voids rather than conventional counters, giving the letters a hollowed, stamped look. Curves dominate the construction, joints are simplified, and spacing feels generous, producing an even, friendly rhythm in text. Numerals and capitals follow the same puffy geometry, with slightly irregular, organic detailing that keeps the texture lively.

Best suited for short, bold settings where its decorative cutouts and rounded mass can be appreciated—headlines, posters, playful branding, toy or snack packaging, and craft or sticker-style graphics. It can work for brief bursts of text in invitations or social graphics, but the interior knockouts may reduce clarity in small UI sizes or long-form reading.

The overall tone is cheerful and quirky, leaning toward cartoon and kids-oriented friendliness. The little cutouts add a playful, crafty character—like paint blobs, stickers, or soft rubber lettering—making the font feel informal and approachable rather than corporate or serious.

The design appears intended to deliver maximum personality through oversized rounded shapes and quirky internal cutouts, combining strong silhouette recognition with a decorative, hollowed texture. It aims for approachable display impact rather than neutrality, with consistent bubbly construction across letters and numerals.

Counters are generally large and open, but the extra interior punctures can create a speckled texture at smaller sizes. The heaviest shapes (notably round letters and figures) read especially well, while narrow structures rely on the distinctive cutout details to maintain identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸