Sans Superellipse Ukkos 9 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Refinery' by Kimmy Design and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, ui display, game titles, techno, futuristic, industrial, gaming, modular, sci-fi display, tech branding, impactful titles, systematic geometry, squared, rounded, angular, compact, stencil-like.
A heavy, squared sans built from rounded-rectangle bowls and softened corners, with largely uniform stroke weight and clean, open counters. Curves are expressed as superelliptic corners rather than true circles, giving O/Q/0 a boxy, machined feel. Terminals are mostly flat and horizontal/vertical, while diagonals (A, K, V, W, X, Y) are crisp and relatively narrow, keeping the texture tight. The lowercase follows the same geometric logic with single-storey a and g, a compact earless r, and a short, blocky t; dots on i/j are square. Numerals are similarly squarish, with a stacked, angular 8 and a closed, rounded-rectangle 0.
Best suited to display roles where strong geometric character is an advantage: headlines, posters, packaging, brand marks, and tech-forward identity systems. It can also work for UI or on-screen labels at larger sizes where the squared counters and dense rhythm remain clear.
The overall tone is modern and technical, evoking interfaces, hardware labeling, and sci‑fi display typography. Its squared curves and compact rhythm feel engineered and utilitarian, with a confident, high-impact voice suited to bold, attention-forward messaging.
The letterforms appear designed to translate rounded-rectangle geometry into a bold, contemporary voice that reads as technical and futuristic. By prioritizing superelliptic bowls, flat terminals, and compact proportions, it aims to deliver high-impact display typography with a consistent, engineered feel.
The design emphasizes uniform geometry and corner rounding, producing a consistent modular cadence across uppercase, lowercase, and figures. Spacing appears relatively compact, and many forms lean toward rectangular silhouettes, which strengthens a screen/industrial aesthetic while keeping word shapes distinctive.