Sans Faceted Tyne 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Charles Wright' by K-Type, 'B52' by Komet & Flicker, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, industrial, technical, futuristic, utilitarian, sporty, impact, machined look, signage clarity, branding edge, chamfered, angular, octagonal, stencil-like, compact.
A heavy, squared sans with systematically chamfered corners that turn curves into crisp planar facets. Strokes are consistently thick and even, producing strong, dark silhouettes with tight interior counters and a compact rhythm. Round letters (C, G, O, Q) resolve into octagonal forms, while diagonals in A, K, M, N, V, W, X, and Y are clean and rigid, emphasizing a machined geometry. Numerals follow the same faceted logic, with straight segments and clipped terminals that keep the set visually uniform.
Best suited to display settings where high contrast against the background and immediate recognizability matter: headlines, posters, labels, and wayfinding. It also works well for sports or tech-forward branding, product packaging, and UI moments like badges or section headers where a compact, industrial voice is desirable.
The overall tone is mechanical and purpose-built, evoking equipment labeling, digital hardware, and high-impact signage. Its sharp facets and dense weight feel assertive and no-nonsense, with a subtle sci‑fi and athletic edge.
The font appears designed to translate a geometric sans into an angular, machined aesthetic by replacing curves with controlled facets and keeping stroke weight steady. The goal is strong impact and a consistent, engineered look across letters and numbers, optimized for bold display presence.
The design favors squared apertures and short, clipped terminals, which boosts presence at display sizes but makes the counters and joins feel intentionally tight. The faceting is applied consistently across uppercase, lowercase, and figures, creating a cohesive, engineered texture in longer lines of text.