Sans Superellipse Madov 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Goblock' by Grontype, 'Stallman Round' by Par Défaut, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, game ui, retro, playful, chunky, techy, toy-like, impact, retro display, modular geometry, friendly branding, rounded, squared, soft-cornered, compact, stencil-like.
A heavy, soft-cornered sans built from rounded-rectangle geometry with monoline strokes and compact counters. Terminals are broadly rounded and corners are consistently eased, producing a squared-yet-bubbly silhouette. Many letters favor blocky constructions (notably E/F/T) while curves (C/G/S) are rendered as squarish arcs, keeping the overall rhythm tight and uniform. Counters tend to be small and often rectangular, and several forms use narrow internal cuts that read slightly stencil-like at small sizes.
Best suited to short display settings where mass and shape are assets: headlines, branding marks, event posters, packaging, and bold on-screen titles. It can also work for game or app UI accents where a retro-geometric feel is desired, but the compact counters suggest avoiding very small sizes for long passages.
The overall tone is bold and friendly with a distinctly retro, arcade-like flavor. Its rounded blocks feel toy-like and approachable, while the squared construction adds a subtle technical, display-driven edge. The density and compact apertures give it a punchy, poster-ready presence rather than a quiet, text-first demeanor.
The design appears intended to deliver maximum impact through rounded-rectangle construction and consistent soft corners, creating a cohesive modular look. It prioritizes recognizability and character in large sizes, pairing a friendly rounded feel with blocky, simplified structures for strong silhouette-driven readability.
Distinctive details include a single-storey lowercase a, a deep descender on j, and a w constructed with vertical inner strokes that echoes the font’s modular logic. Numerals are similarly blocky and compact, matching the tight counter shapes of the letters and reinforcing a cohesive, geometric voice across the set.