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Sans Normal Anbab 19 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Hurme Geometric Sans 1 & 2', 'Hurme Geometric Sans No. 3', and 'Hurme Geometric Sans No. 4' by Hurme; 'Lemon Milk Pro' by Marsnev; and 'Core Sans C' by S-Core (names referenced only for comparison).

Keywords: ui text, branding, headlines, signage, editorial, modern, friendly, clean, neutral, tech, versatility, legibility, modernity, clarity, approachability, geometric, rounded, open, even, crisp.


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This typeface presents a clean sans structure with smooth, near-circular bowls and consistent stroke thickness. Curves are generous and well-rounded, while terminals are mostly straight and blunt, giving forms a crisp, engineered finish. Counters are open and evenly proportioned, with clear interior space in letters like a, e, and g. Overall spacing and rhythm feel steady and measured, supporting legibility at both display and text sizes.

It suits user interfaces, dashboards, and web typography where an even texture and clear shapes are important. The rounded geometry also works well for branding, product naming, and marketing headlines that need a contemporary, friendly voice. Its straightforward forms make it a solid choice for signage and editorial subheads where quick recognition and clean rhythm matter.

The overall tone is modern and approachable, balancing a geometric calm with a slightly warm, rounded feel. It reads as straightforward and dependable rather than expressive, making it feel contemporary and broadly usable. The character is quietly technical—clean enough for product and interface contexts—without becoming cold or overly rigid.

The design appears intended as a versatile, modern sans that prioritizes clarity and consistency through simple geometric construction. Rounded bowls and open counters suggest an emphasis on readability and a welcoming tone, while restrained detailing keeps it adaptable across many layout styles.

Uppercase shapes lean toward simple geometry with smooth curves and minimal detailing, while lowercase maintains clarity through open apertures and uncomplicated joins. Numerals appear clear and utilitarian, with rounded forms in 0, 8, and 9 that match the typeface’s circular logic. The sample text shows consistent color and an even typographic texture across multiple lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸