Sans Normal Obguy 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Glembo' by Differentialtype, 'ED Colusa' by Emyself Design, 'EquipCondensed' by Hoftype, 'Nusara' by Locomotype, 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype, and 'Marble' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, kids media, playful, chunky, friendly, retro, cartoonish, attention-grabbing, friendly tone, retro flavor, informal branding, rounded, soft terminals, bouncy, compact, heavy.
A heavy, rounded sans with compact proportions and softly modeled curves. Strokes are consistently thick with minimal contrast, and many joins and terminals swell into bulb-like shapes, giving letters a slightly inflated, sculpted feel. Counters are generally small and rounded, and several forms show quirky, hand-cut asymmetries—such as angled cuts, wedge-like notches, and subtly uneven shoulders—that create an energetic rhythm in text. The overall texture is dense and dark, with strong figure/ground presence and tight internal spaces that become especially prominent in smaller counters.
Best suited for display typography where strong impact and warmth are desirable: headlines, posters, product packaging, and brand marks that want a friendly, humorous edge. It can work for short subheads and callouts, but the dense counters and heavy color make it less ideal for long-form reading at small sizes.
The font projects a cheerful, informal personality with a distinctly retro, cartoon-adjacent tone. Its chunky weight and rounded construction feel approachable and upbeat, while the irregular, cut-in details add a mischievous, handcrafted flavor rather than a strictly geometric or corporate voice.
The design appears intended to deliver maximum visual presence with a fun, approachable character. By pairing very heavy strokes with rounded construction and slightly irregular details, it aims to feel handmade and lively while remaining clear and legible in bold display settings.
Uppercase forms read as bold, blocky silhouettes, while the lowercase introduces more characterful shapes and occasional idiosyncratic proportions that increase expressiveness. Numerals are similarly weighty and rounded, optimized for impact more than neutrality, and punctuation appears robust enough to hold its own at display sizes.