Sans Superellipse Pimoy 6 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Churchward 69' by BluHead Studio, 'Press Gothic' by Canada Type, 'Heliuk' by Fateh.Lab, 'Beachwood' by Swell Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, condensed, assertive, retro, poster-like, space saving, high impact, sign-like clarity, geometric uniformity, blocky, monoline, rounded corners, compact, tall.
A compact, tightly condensed sans with heavy, monoline strokes and rounded-rectangle construction. Curves resolve into softened corners rather than circular bowls, giving counters a squarish, superelliptical feel (notably in O, Q, and numerals). Terminals are mostly flat and blunt, with consistent vertical emphasis and minimal modulation; joins and apertures are kept narrow, reinforcing a dense, columnar texture. Lowercase forms follow the same compressed geometry, with sturdy stems, small openings, and simple two-storey-free construction where applicable; figures match the cap weight and maintain the same squared-round logic.
Best suited to short, high-impact settings such as headlines, posters, sports or event graphics, packaging callouts, and bold branding marks. It can work for subheads or brief captions when set with generous tracking, but it is most effective as a display face where its condensed, blocky rhythm remains clear.
The overall tone is forceful and utilitarian, projecting an industrial confidence with a distinctly retro display flavor. Its dense rhythm and softened corners balance toughness with approachability, reading as bold, mechanical, and attention-seeking rather than delicate or conversational.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry to keep a consistent, modern-industrial voice. Its uniform stroke and compact apertures suggest a focus on strong silhouette recognition and a poster-oriented texture across lines.
Because the forms are so compact, internal counters can close up quickly at smaller sizes; the design reads strongest when given enough size and spacing to preserve the interior shapes. The uppercase and numerals feel particularly uniform and sign-like, creating strong vertical bands in lines of text.